2009 Festival Information
The 16th Annual Chicago Underground Film Festival runs September 10 to September 17, 2009.
Venue:
Gene Siskel Film Center
164 North State Street
Chicago Il 60601
TEL 312-846-2600
FAX 312-332-5859
| Map Generator |
Ticket Information:
Tickets can be purchased at Ticketmaster.
Tickets to movies are $10 general admission and $5 for Film Center and IFP members.
For more information, call the hotline at (312) 846-2800.
All ticket levels are available at the Gene Siskel Film Center Box Office which opens at 5pm weekdays and 2pm weekends.
Only general admission tickets are available through Ticketmaster at
(800) 982-2787 or by visiting ticketmaster.com.
Special Events and Party Information
All parties from Thursday, September 10 through Sunday, September 13 are at the Bottom Lounge, 1375 W. Lake.
| Map Generator |
All parties from Monday, September 14 through Thursday, September 17 are at Delilah’s, 2771 N Lincoln Ave.
| Map Generator |
Thursday, September 10
OPENING NIGHT PARTY
WINDY CITY SOUL CLUB
The best Rare Soul DJs in Chicago come together to create the best party this city has ever seen.
Friday, September 11
-jonCates + jake elliott live coding artware intertwined in deep time recursivity + self-modifying psychedelic cyber-ware
Saturday, September 12
We have a very special surprise planned for you but you'll need to come to the party to find out what it is.
Sunday, September 13
FESTIVAL AWARDS PARTY FEATURING
THE BLUE RIBBON GLEE CLUB
"These locals tip the scales at around 30 members, culled from the lineups of other Chicago groups, but you can't blame that on the Polyphonic Sufjan mega-band trend—they're a bona fide glee club. Their sound is so wobbly, so amateur and informal, that calling them a choir would be a bit grandiose, and they plunge into the songs they've chosen—mostly punk and indie-rock standards—with a reckless enthusiasm for which glee is really the only proper synonym. They ooh and aah and bomp-bomp-baah their way through Fugazi's "Waiting Room" and the Clash's "Spanish Bombs," bringing out the songs' latent whimsy—plus you can finally understand all the words. Performances are entirely a cappella, save for some sparse drumming or tambourine shaking—they even sing the riffs and solos." by Jessica Hopper, Chicago Reader
Disclaimer: All programming is subject to change.











